In 1971, a quirky TV movie aired on the ABC Movie of the Week called Longstreet.
The movie was written by Sterling Silliphant, an Oscar winning writer (In the Heat of the Night) and a student of Bruce Lee. The show was picked up as a series whose debut episode was called “The Way of the Intercepting Fist.”
Silliphant was Bruce’s student in that 3 year “in-between” period (after The Green Hornet and before his first feature film, The Big Boss).
He also got Bruce some Hollywood work, writing him a memorable cameo in the James Garner movie Marlowe, where Bruce is a Mob enforcer who destroys Marlowe’s office. He also wrote Bruce a pivotal role for Longstreet.
Longstreet was a detective show about an insurance investigator who, while investigating some jewel thefts, is blinded and widowed by an explosion meant to silence him. A key character in the early shows was Li Tsung, who helps Longstreet regain his independence, basically by teaching him Wing Chun / Jeet Kune Do.
Duke Paige: What is this thing you do?
Li Tsing: In Catonese, Jeet Kune Do – the way of the intercepting fist.
Duke Paige: Intercepting fist, huh?
One of the things I find most interesting about this show is how much of Bruce’s subsequent media image seems to have been formed by this series. Whole swaths of the dialog show up in other media, such as Enter the Dragon (“boards don’t hit back”) and in Bruce’s famous interview with Pierre Berton (Be like water, my friend”).
I suspect this is because Silliphant was able to artfully take Bruce’s teachings and style of speaking and turn it into great dialog. Then Bruce naturally was able to use these well-written versions of his teachings which he had memorized for the show. Or, Silliphant just put Bruce’s words and metaphors in the screenplay (giving Bruce more credit!).
I saw this show when it aired (I was 9). I was of course interested in the discussions of how to fight (being a small kid and a wise ass, a bad combination resulting in the occasional beat down). I was intrigued by the combination of philosophy and violence explored on the show. Bruce often said very ambiguous things, which drew me in with more force, the mystery something to chew on, like the Japanese kōan. What does that mean? Fighting without fighting? No style? Even at 9, these words were intriguing and mysterious.
Some helpful Youtuber compiled all the scenes and uploaded them.
David Scholtz says
In a 1967 article in Black Belt Magazine, Lee translated Jeet June Do as “Way of the Stopping Fist.”
Steven Moody says
Hm. In Wing Chun, Jeet means more like an intercept, not a stop, per se. Hawkins Chung used to talk about “blanking the mind” of the opponent with your interception of his movement, with your fist suddenly in their face. I believe this is also Gary Lam’s idea of Wing Chun as a “second action” style. They start an action and you attack as they begin. Sifu LeBlanc used a metaphor of a car pulling out of the garage and into the street. You don’t attack the car in the garage or when its already in the street – you attack it when its halfway out of the garage. Of course, this requires excellent timing!