I Liq Chuan is a martial art that combines principles of Tai Chi, Xingyi, and Bagua, with an emphasis on awareness, relaxation, and sensitivity.  Ashe Higgs is one of the top instructors in this system; having studied various styles such as karate, kickboxing, and Brazilian Jiu-Jitsu, in 1997 he was introduced to I Liq Chuan by Grandmaster Sam F.S. Chin.

I’ve been checking out his Youtube page and think he is doing a very helpful job of providing commentary and explanations for aspects of the system.  He has a clear and concise teaching style, as well as his ability to break down complex concepts into simple, easy-to-understand terms. He also provides practical applications for a system that can be, at first approach, somewhat esoteric.  Ashe is also a certified personal trainer and a certified sports nutritionist.

I’m finding I Liq Chuan to be a complementary art to Wing Chun, providing more options and other kinds of structure for the bridge.  It kind of brings an element of the round or spherical to complement Wing Chun’s triangles and straight lines.  More on the details of this later!

Sifu Leo Au Yeung, who teaches both Wing Chun and Hung Gar, and studied Wing Chun with both Ip Chun and Samuel Kwok, is best known for his work on fight choreography on the Ip Man movies starring Donnie Yen.

“From flowing you can observe the condition as it is, and then merge, to be as one, harmonizing with the environment and the opponent. When you harmonize then you can take control.”
GM Sam F.S. Chin

“Awakening and Harmonizing – The Art of Sam Chin” – An Interview by Qi Magazine
Issue 41, February 1999

“Any sufficiently advanced technology is indistinguishable from magic.”
Authur C. Clarke

“Feeling stupid doesn’t feel good, and the beginning of learning anything new is feeling stupid.”
Josh Kaufman.

In 1977, I walked into a community center on Pease Air Force Base in Portsmouth, New Hampshire and began my martial arts studies.  It was a Karate class taught by a Sergeant who had learned in Okinowa. There were about 8 other students, all adults, many of them soldiers.  Suffice it to say, I had no idea what I was doing and felt like an idiot, standing there, 15 years old, small for my age,  with my pale hairless legs in a t-shirt and cutoffs, standing about 5’6” and weighing about 100 pounds, my growth spurt waiting until the following summer.

I’ve had this experience many times over the years, beginning different arts at new schools.  At the beginning, you never know what is going on.  You don’t know the rules or the etiquette or how to dress.  At least Karate made sense right away, even if it took a while to get my body to do it.  The blocks and punches and kicks were very straight-forward.  Decades later, I started training Chinese martial arts.

Wing Chun was not so straight-forward.  You have to stand funny (YJKYM).  The actions are like patting your head and rubbing your belly – your body rebels in confusion and unfamiliarity.  It isn’t immediately clear how it works in a real fight (for many, it will never be clear).  Are you supposed to hit them with the Bong Sau?  What do you do against a jab?  How do the actions in the Siu Lum Tao or the Dummy form translate into fighting?  My initial confusion with Wing Chun led me to start this blog.  When I started to “get it,” I realized it was mainly confusing because it had not been explained to me clearly (or at all).

Back in late 2019, I took a break from Wing Chun due to a  persistent shoulder injury (see my How to Treat Shoulder Injuries from Wing Chun Training article from 2015 – written several years into the problem).

I didn’t want to completely stop training.

I’d always been curious about the so-called Internal Arts, such as Tai Chi.  Sources I trusted said that if you trained with the right person, it was powerful and dangerous, however innocuous the training looked form the outside.  Many Kung Fu styles are said to have internal components, like as Ba Gua, Mantis, etc.  There are a lot of mysterious terms thrown around.  Chi.  Neigung.  Tendon changing, marrow washing.  Dan Tien.

These terms were even used in Wing Chun but I was taught that in Wing Chun, internal meant something more “practical.”  To express internal power meant to have proper skeletal alignment.  The joints had to be open.  The movements soft and “whippy” like bamboo.  I always struggled with being “soft,” so I thought, maybe I can go take some internal arts, it won’t be the sort of stressful training that will hurt my shoulder (might even help), plus help me learn to “stick” and be “soft.”

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